Katie & the Honky Tonks / Big Begonias / Alex Dupree
Doors at 8pm, music at 9pm
$10, all ages
Hailing from Waterloo, Iowa, Katie and the Honky Tonks are a four-piece original honky tonk band owing its sound to 1960s Nashville. Their songs lean heavy on real stories, catchy hooks, and rhythms built for crowded dance floors. Fronted by Katie Sires on vocals and rhythm guitar, with Jesse Cotton on lead guitar, Johnny Love on bass, and Luke Sires on drums, they were named 2025 Iowa Music Awards Country Artist of the Year, and were considered for a Grammy after releasing their debut album, Ain’t No Shame. Proof that honky tonk is still here and very much alive.
Their debut album, Ain’t No Shame, OUT NOW builds on the success of their 2024 EP, Two-Steppin’ in the Shower, which solidified their place in the Midwest country music scene. The EP earned widespread recognition, with Iowa Public Radio saying, “The EP sounds more like Nashville 1964, not Nashville 2024.” Lonesome Highway, in a review of "Ain't No Shame' says, "Katie and the Honky Tonks join the ever-growing canon of women like Summer Dean, Emily Nenni, Sarah Gayle Meech and Kimmi Bitter, to name but a few, that are representing genuine honky tonk music."
https://www.katieandthehonkytonks.net/
Big Begonias took root in 2020, creating transcendental folk and honky tonk music, featuring original songs by Gabrielle Kouri. Gabrielle (Awful Purdies) plays guitar, banjo, and sings. George Spielbauer (Cedar County Cobras) plays various guitars. Bass guitarist Dave “Chief” Lumberg (Shoe Money, Mayflies) and drummer Daniel Miller (Lake of Wire, Kleenexgirlwonder) hold down the groove.
https://bigbegonias.bandcamp.com/
Alex Dupree is a songwriter based in Austin, TX. He released his first album in 2005, a piece of shambolic bedroom folk made with a group of friends called the Trapdoor Band. NPR called it “both poetic and political.” Over the course of three LPs with this group, and one under the pseudonym Idyl, Alex would root himself firmly but idiosyncratically in the traditions of American songwriting. “Sounds continue to unfold in ways that are timeless,” one reviewer wrote for Yahoo! Music’s Top 100 Albums of 2007, “Dupree just needed to discover them and dust them off.” During this time, he was also recording and touring extensively with Zookeeper, the folk-rock zag of emo pioneer Chris Simpson (Mineral).
In 2013, Alex moved to Los Angeles to study poetry, but songs were never far from his mind. He still wrote and performed with cosmic country bands Mister Paradise and Dawn & Dupree, leaning into a Willie Nelson-tinged croon for the bar crowd. He returned, more or less, to his own voice for 2017’s You Winsome, You Lonesome, put out on cassette by Keeled Scales. A full release with the label never materialized, and after some time floating between odd writing gigs, he returned to Austin.
Along the way he met Phoenix-based producer Michael Krassner (Boxhead Ensemble, Simon Joyner, Califone). Their collaboration resulted in the 2022 album Thieves. If You Winsome, You Lonesome is a suite of country storytelling (seen through the hazy marine layer of indie rock), then Thieves has narrative folk ballads at its heart. In the words of a UK reviewer, Alex is “a magician pulling the strings, sometimes a director setting the scenes” for these campfire stories of “caves and gangsters, bodies and bad guys, untrustworthy divas and the search for true love.”
You Winsome, You Lonesome got a belated vinyl pressing in 2024, commemorated by a 22-date tour of Texas. Alex’s second album with Michael Krassner, Talking to the Dog, is scheduled for release in 2026.
One More Hour Record Release Show !!
One More Hour & Make Good Choices
8:30pm doors, 9pm music
$10/pay what you can, all ages
Rat Stallion / username / mazu.
https://ratstallion303.bandcamp.com/
https://mazuband.bandcamp.com/album/mazu
8:30pm doors, 9pm music
$10, all ages
Songwriters' Round: Abigayle Oakley, Remi Goode, Brian Johannesen
Join us for an evening of songwriters in conversation about their songs, all on stage at the same time, taking turns and feeding off each other.
Writers:
Abigayle Oakley: https://www.abigayleoakley.com/
Remi Goode: https://www.remigoodemusic.com/
Brian Johannesen: https://brianjohannesen.com/
$10 in advance
$15 at the door
Hunting Accident (farewell show) / Bootcamp / Prior Scathed Oracle
https://www.youtube.com/watch?v=BGn8Wh9d1KQ
https://www.maximumrocknroll.com/band/bootcamp/
8:30pm doors, 9pm music
$10, all proceeds to help with Jackie’s move
BCMC (Bill MacKay & Cooper Crain) with Dayvyd Lunch
tickets: https://littlevillage.boldtypetickets.com/events/186315600/bcmc-with-dayvyd-lunch
8pm doors, 9pm music
$15 GA / $10 student
“On Stash, the absolutely energy-drenched 2nd album from BCMC, the guitar and keys duo soars through waves of pleasant rhythmic turbulence on the way to show us just what they got:
Needle down: increased activity dubs and baubles the sonic surface of BCMC’s Stash planet. Waves from Arabian, Indian, Flamenco and Soul groove in alliance under the expanse of an all-world flag, representing a borderless pursuit of cosmic music moments in the hand, of/by/for all the people of folk, rock and jazz, psych, west coast psych, prog, DIY, experimental, traditional, programmatic, impressionistic, liturgic, electric...!
Maybe it’s in the DNA between Cooper Crain on organ & synth and Bill MacKay on guitar? BCMC’s groove-based understanding/space-based alignment of purpose is two-headed (four-handed) intuition in music, aurally forming whenever playing, composing, improvising, or all the above. Stash is part guitar and keyboard recital, part unbridled electroacoustic assembly of spontaneous international deep and wide sounds. Happening between them, somehow. Like the time: guitar and keyboard pushing, then pulling back in space. The sound of two people agreeing on this. Patterns emerge, units form, and then, we feel BCMC alive in the wide-open air of the room.
Also in Stash: written things, shorter strands, riffs, prog/funk/church organ breaks, psychedelic blues-rock soloing on synth. Echoes of Floyd/Doors/Deep Purple/Iron Butterfly/Velvets/Can wove into a jangly nest, then trembled with an occasional British folk peregrination. Insistent chord/rhythm discovery: jam it out. Having taped, take a second pass in places. Improvisation, layers, inner-player dialogues revolve the flow, open it up.
Drop the needle down into Stash anywhere. You find one sonic widescreen or another in time. Vivid, judiciously-tripped minimalist songs; tropical soundtrack capacity and time, horizons and water flown in from the border, fine frontier and mellow high.
Stash was recorded on half-inch 8-track tape by Greg Norman at Electrical Audio, then recorded more and mixed to 2-track 1/2" tape at Sweat Loge by Cooper and Bill. Stash’s different textural feel is down to wondering about, then dialing details in the sound, getting good signal in a few good spaces with a few new (old) machines in the chain. And in the mix, not a digital module was stirring: Stash is straight AAA, student!”
PINE // MUSTELIDAE
https://www.instagram.com/pinemusicandart?igsh=MTh5djZ2aG80ajF1MQ%3D%3D&utm_source=qr
8:30pm doors, 9pm music
$10, all ages
https://www.instagram.com/pinemusicandart?igsh=MTh5djZ2aG80ajF1MQ%3D%3D&utm_source=qr
UAY Benefit Show: Tremolo Fields, James Tutson, Jim Swim
A fundraiser for United Action for Youth
https://tremolofields.bandcamp.com/album/red-birds-on-a-branch
https://jamestutson.bandcamp.com/album/still
https://itsjimswim.bandcamp.com/
$10 suggested donation, pay what you can
7:30 doors, 8pm music, all ages
FEaST fundraiser / In Celebration of Wiersema and All Things Weird
Performances by:
Gabi Vanek // Justin Comer // Mystic Cross // Granular Breath
There’s a Chris sized pit in all our hearts. A night full of noise is incoming as an attempt to fill the gaping hole, or maybe just to get together and commiserate on how big that cavity is.
Doors are at 8 PM. Show at 9 PM. You are invited and encouraged to come early to the home of all things weird, Trumpet Blossom Cafe, to enjoy dinner at 6 PM.
Thank you to @tinylittlehammers for continuing to overwhelm with your design and spirit.
Thank you to a stacked lineup of artists who jumped on the opportunity to celebrate Chris. Our town is lucky to have you.
$10 suggested donation (No One Turned Away For Lack of Funds). After paying all of the artists, proceeds from the show will be used to continue to bring weird music to town in Chris’s legacy.
Dan Bern // Sam Knutson
8pm doors, 9pm show
$20, all ages
tickets: https://littlevillagetickets.com/events/185145841/dan-bern-sam-knutson
https://samknutson.bandcamp.com/album/where-the-covers-deep
Dan Bern is a captivating live performer who has enthralled a loyal and ever-growing fan base in the US and Europe since the mid ‘90s. His songs range from deeply moving to wildly imaginative and hilarious, often within the same song.
He has been compared favorably to the great masters of songwriting, such as Guthrie, Dylan, Costello. Though he draws from the great American tradition of songwriting, there is something deeply unique and compelling that makes you want to get to know the man behind the songs.
He conjures incredibly specific imagery like in a painting. Though he may turn to cynicism and political satire at times, the beauty of his work is that he is able to imagine better worlds, revealing a deep capacity for empathy and optimism. Bern connects with his audiences skillfully and directly, weaving the topical and local in with the more universal themes. He has written for many films and TV shows, and has made more than thirty albums.
“If you ever read the name “Dan Bern” give yourself a treat and go see him. He’s been one of my favourite songwriters and musicians for the past 25 years. His songs are a mix of thought provoking lyrics and a wonderful dry wit. You’ll have a great night out! —Roger Daltrey
"Sam Knutson is one of Iowa City’s most enigmatic songwriters. His music flows from rebellious to reverent, from deep honesty to the tallest tales; it includes songs about both internal and external weather, and songs about mistakes and youthful foolishness with dry, self-deprecating humor. His songs are wildly unique and yet comfortingly familiar. What they are is authentically Sam Knutson songs.
He fronted a really good band that did four CDs and got considerable critical acclaim, but the touring wore him down, as it does. He toured smaller folkie venues as a solo artist for a decade or so, and brought the Iowa Opera House concert series to life.
Sam started out as many indie singer/songwriters did in the 80s, with records on cassette, switching to CDs in the 90s. There are still CDs, but nowadays much of his music is offered digitally from his Bandcamp page. His catalog is rich and deep, and well worth exploring."
mazu / Daisy Glue / Oxygendron
FEaST presents: Masma Dream World
https://littlevillagetickets.com/events/184648196/masma-dream-world
Masma Dream World invokes magic and healing as a form of worship to the universal Dark Mother.
Blending drone, bass, noise, percussion, and voice with the use of experimental electronics, field recordings, synthesizers and effects to create devotional soundscapes for deep listening. Trained in butoh, Devi invites you to participate in cathartic ceremonies and sound-healing rituals.
The sophomore album was released in February 2025 to critical acclaim, including a coveted spot on the cover of The Wire Magazine. The album was born from an extensive period of time spent deepening her spirituality through meditation, Hindu mysticism, and Advaita Vedantic texts.
MDW ceremonies have been performed at international festivals such as Le Guess Who?, REWIRE, Transmission Waves Festival, DUNK, Raw Power Festival, and Afrofuturism Festival presented by Carnegie Hall, just to name a few.
Latest releases:
September 2025 - "A grave in a lucky Site" EP
February 2025 - "Please Come To Me" Album
"music rooted in drones and ritual rhythms..like a visitor probing a dark cavern, occasionally knocking something loose that clatters noisily into the void" - New York Times
"a strange, discomfiting document of the singer-composer’s energy..tangles together traditional African sounds and rhythms with Western electronic styles ranging from ambient to harsh noise" - The FADER
"a divine, spectral source of unease..“mother” is the only lyric in the song, but it hits you like a paragraph, rummaging through your skin until it crawls" - Paste Magazine
“A matrix of lucid electronics.. On PLEASE COME TO ME, Masma Dream World plumbs the abyssal depths of the divine feminine, charting a path of devotion to the Mother Kali” - The Wire ‘Cover Story’
Stephanie Catlett Record Release with Freegrass Trio
https://stephaniecatlett.bandcamp.com/music
https://freegrasstrio.bandcamp.com/track/jingle-hell
Celebrate the release of Stephanie's new full-length album, Bright Day (out June 5!). Full band show with the lovely Freegrass Trio opening.
All ages, $7 cover
Doors at 8pm, show at 9pm
Come enjoy the best vegan food in the state (world?), have one of Trumpet Blossom's inventive cocktails, and hear some songs from the heart.
LITHIUM BATH // BURLESQUE & LIVE MUSIC // 21+
The Aquarius presents an alternative variety show featuring two musical artists and three burlesque acts. We are also raffling off prize baskets to raise money for a special event put on by Ox Cart in September.
The musical artists are Will Yager and scargazer. The burlesque acts are Peonie Persephone, Alys Belyn, and the Bawdy Babes.
This event is for guests 21 & over. Admission is $10, doors are at 8:30pm, show begins at 9pm
SCOPE Productions presents Jim Swim and Daniel Xavier & Co.
We’ll be closing at 7pm for this ticketed event.
Investigate Midwest: Not From Here, a Live Storytelling Event
(Tickets are required for this event. We will be closed to the public for this event.)
An evening of storytelling, interactive engagement, trivia, and a silent auction benefiting Investigate Midwest's organization.
You’re invited to join us on the evening of Wednesday, April 15th. Doors open at 5:30 PM, with the program beginning at 6:30 PM. Investigate Midwest will bring together a diverse group of storytellers for an evening centered on the theme "Not From Here." Through live storytelling, community engagement, and a silent auction benefiting Investigate Midwest’s investigative journalism and educational initiatives, the event aims to create a space where attendees can listen, reflect, and connect through stories of place, identity, and belonging.
The heart of the evening will be a live storytelling program featuring speakers sharing personal, off-script narratives. Storytellers will offer intimate, 10-minute stories exploring experiences of movement, transition, and what it means to navigate spaces and communities where one may feel like an outsider. The event welcomes a wide range of perspectives, encouraging meaningful conversation and shared understanding through the power of storytelling.
This event is made possible through the generous support of our sponsors and community partners. Their contributions help support Investigate Midwest’s mission of providing independent investigative journalism while creating opportunities for community storytelling and engagement. We are grateful for the organizations and individuals whose support helps bring this event to life.
Thank you to our sponsors:
Alan Swanson -Blank and McCune Realty
University of Iowa School of Journalism
The Last Time I Saw Caleigh presented by Noctis Theatre
New addition to the April calendar! We're proud to host a performance of this play, touring the US, on Monday April 13 at 4:30pm.
From @noctis.theatre.company The Last Time I Saw Caileigh is "a dark, funny and heartfelt one-act play that explores non-binary erasure through the lens of an unsolved mystery."
Admission to this special event is free and donations to the theater company are encouraged. Trumpet Blossom will match the final amount raised and donate it to United Action for Youth and their LGBTQ+ programs.
Doors will open at 4pm and the show lasts about 75 minutes. Our bar will be open for beverage purchases before and after the show but our kitchen will not be open. More info about the show can be found at the link in our bio and by visiting noctisheatre.com
Seating is limited so if you plan to attend, please RSVP via email trumpetblossom@gmail.com or DM me here :)
A special thanks to @mirandasimonne for bringing this to town 💗
14th Anniversary Party!!
Performances by Brian Johannesen, Jordan Sellergren, RAW SPACE, Pete Balestrieri, Elly Hoffmaier, and HVOG
Less than one week until our 14th Anniversary Party! Saturday April 11 we celebrate and we hope you can join us!
We'll feature a special menu highlighting some favorites from over the years and a few new dishes too.
We're looking forward to so many friends playing music on our stage starting at 5:30pm: @brianjohannesen @jsellergren @raw_space @petebalestrieri @penny.peach.jr @unsatisfyingsentiment ❤
The show is free and open to all; we'll be serving food 11am-8:30pm and the bar will remain open until 11:30pm. Thank you from the bottom of my heart for all the support. I truly couldn't do this without the love from the community and the dozens of amazing and generous folks I've worked with since before day one. Come party with us!
And check out that pic of the nearly-finished (and much smaller back then) stage from almost exactly 14 years ago, custom-built by @flatblackstudios & friends.
I never could have imagined the magic that thousands of talented musicians and artists would so graciously share on that stage. I'm forever indebted to everyone who booked, organized, worked, and played shows here, especially our deeply missed and dearest friend Chris of @feed_me_weird_things_iowa_city. I'm trying to keep it nice & weird for him.
So thanks for all the laughs & sometimes all the tears and all the food & beers & hugs & love. You're the best. Come hang soon!
Caroline Davis Solo with Gabi Vanek
tickets: https://littlevillagetickets.com/events/182744279/caroline-davis-with-gabi-vanek
$15 GA / $10 student (with ID)
$20 GA/student for this show AND Derek Monypeny show March 30
8pm doors / 8:30pm music
Caroline Davis bio:
Caroline Davis’s dreams for playing music come from a desire to connect and a wish for listeners to expand their ears, minds, and hearts. Her Swedish-British family moved from Singapore to the US around age 6, where she enjoyed R&B, full of horns that lured her to choose the saxophone. Caroline’s musical expression covers a wide range of styles. She has released eight of her own albums and is a collaborater on countless others. She has worked with Lee Konitz, John Zorn, Angelica Sanchez, The Femme Jam, Miles Okazaki, Nicole Mitchell, Rajna Swaminathan, and Matt Mitchell. Caroline has been a resident fellow of MacDowell, The Jazz Gallery, The Rockefeller Estate, Mutual Mentorship for Musicians, UCross, and Civitella Ranieri. She is a recipient of Guggenheim Foundation, Jerome Hill, Chamber Music America, Foundation for Contemporary Arts, The Jazz Gallery, and NYFA fellowships, and the winner of Downbeat Critic’s Poll Alto-Saxophone Rising Star Award. Her teaching practice centers around gender studies in jazz at The New School and a private saxophone studio at Manhattan School of Music. Caroline is an active advocate for gender equity (This Is A Movement) and current/formerly incarcerated people (Justice for Keith LaMar, Keys Beats Bars, Creatives Beyond Incarceration).
https://carolinedavismusic.bandcamp.com/album/fallows
Gabi Vanek bio:
Described as making “shadowy music that prickles on your skin” and “unafraid to be anything at all”, Gabi Vanek is a bassoonist who exists in a world of harsh noise and drone/doom. She’s performed as both an ensemble member and soloist at small and large festivals such as the Darmstädter Internationale Ferienkurse, International Double Reed Society, Oh My Ears, and exhibited at the Osaka University of the Arts Electro-Acoustic Music Festival. More likely, you’ll find her making noises in more “unconventional” spaces, like your local dive bar.
https://netochkanezvanova.bandcamp.com/