Daniel Wyche is a Chicago-based guitarist, composer and improviser. Working with a wide range of physical preparations, extended techniques, and pedal instruments, his recorded work and live performances are characterized by long-form structured improvisations. Daniel’s early records are a methodical crawl through the timbral subtleties of the guitar through sweet and unhurried layering, inspired by the ambient and deep listening traditions. However, with Our Severed Sleep (Eh? 2016), his most recent solo record, he has returned to his earliest inspirations on the uncomfortable periphery of rock and free improvisation, in an extended exploration of the relationships between resonance, overtones, and noise. The result is a pair of compositions called “a blowout to wake the dead” by the Wire, “reverent music,” by Decoder, and “an infinite swansong of bliss” by Tiny Mix Tapes. Over the past several years, all of this work has become increasingly integrated with the exploration of multi-channel performance, the spatialization of sound, and site specific-composition, and new compositions for quad and 8-channel guitar are currently being developed.
Along with his solo guitar work and duo recordings with primary collaborator Ryan Packard (Fonema Consort, Skeletons), Wyche is involved in several regular collaborations. Most notable among these are a series of ongoing performances with Julian Lynch (Real Estate), and his trio with Mark Shippy (US Maple, Invisible Things) and Ben Baker Billington (Tiger Hatchery, ONO, ADT), which will release two new records in 2017 on the Astral Spirits and No Index imprints.
Daniel has been a curator at Elastic Arts in Chicago since 2013, has severed as part-time faculty at the School of the Art Institute of Chicago, and is an PhD candidate in the history and philosophy of religions at the University of Chicago.
Link to work- Daniel Wyche
Justin K Comer
Justin K Comer is a saxophonist, composer, and improviser living and working in the bustling metropolis of Coralville, IA. He experiments with noise, sampling, extended techniques, rhythmic phasing, and evolving repetitive patterns. His music has been used in dance, theater, and film productions. In addition to his solo work, he also collaborates with like-minded artists under the banners of JCϟjp, Wombat, and Emery Clair Comer Hart. In collective improvisations, he practices musical anarchy, where individuals are given complete freedom to pursue their own interests and cooperate as desired. He also organizes and hosts the iHearIC concert series and radio show. Find more at justinkcomer.com.